Diamonds poster

Diamonds (2024) (Diamanti)

December 19, 2024 · 135 min · · Comedy, Drama

A film director gathers his favorite actresses, those he worked with and those he loved. He wants to make a film about women but he doesn’t reveal much: he observes them, takes cue, until his imaginary throw them into another era, in a past where the noise of the sewing machines fills a workplace handled and populated by women, where men have minor and marginal roles and cinema can be told from another point of view: the one of costume. Between loneliness, passions, anxieties, heartbreaking absence and unbreakable bonds, reality and fiction permeate, as well as the lives of the actresses and those of the characters, the competition and the sisterhood, the visible and the invisible.

Director: Ferzan u00d6zpetek
Writers: Ferzan u00d6zpetek, Carlotta Corradi, Carlotta Corradi, Elisa Casseri, Ferzan u00d6zpetek

Cast

Luisa Ranieri
Luisa Ranieri
Alberta / Luisa
Jasmine Trinca
Jasmine Trinca
Gabriella / Jasmine
Elena Sofia Ricci
Elena Sofia Ricci
Elena
Lunetta Savino
Lunetta Savino
Eleonora / Lunetta
Vanessa Scalera
Vanessa Scalera
Bianca Vega / Vanessa
Kasia Smutniak
Kasia Smutniak
Sofia Volpi / Kasia
Milena Vukotiu0107
Milena Vukotiu0107
Zia Olga / Milena
Anna Ferzetti
Anna Ferzetti
Paolina / Anna
Geppi Cucciari
Geppi Cucciari
Fausta / Geppi
Mara Venier
Mara Venier
Silvana / Mara
Carla Signoris
Carla Signoris
Alida Borghese / Carla
Aurora Giovinazzo
Aurora Giovinazzo
Beatrice / Aurora

Crew

  • Director: Ferzan u00d6zpetek
  • Original Music Composer: Giuliano Taviani
  • Original Music Composer: Carmelo Travia
  • Director of Photography: Gian Filippo Corticelli
  • Costume Designer: Stefano Ciammitti
  • Editor: Pietro Morana
  • Producer: Marco Belardi
  • Producer: Tilde Corsi
  • Producer: Mariangela Curci
  • Producer: Sara Paolini
  • Executive Producer: Enrico Venti
  • Story: Ferzan u00d6zpetek

About

A film director gathers his favorite actresses, those he worked with and those he loved. He wants to make a film about women but he doesn’t reveal much: he observes them, takes cue, until his imaginary throw them into another era, in a past where the noise of the sewing machines fills a workplace handled and populated by women, where men have minor and marginal roles and cinema can be told from another point of view: the one of costume. Between loneliness, passions, anxieties, heartbreaking absence and unbreakable bonds, reality and fiction permeate, as well as the lives of the actresses and those of the characters, the competition and the sisterhood, the visible and the invisible.

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